A Date at Cafe Algarve

A Dream Date at CafeAlgarve.website (East Vancouver Edition)

Itโ€™s a crisp East Vancouver evening, the kind where the air smells like rain even if it hasnโ€™t started yet. The neon sign of Cafe Algarve glows warmly from the corner, casting a cozy amber light across the sidewalk. Inside, itโ€™s the real East Van vibeโ€”tile floors, soccer on the muted TV, strong espresso, and the soft buzz of people who seem to know each other.

Joe steps in first. He nods at the owner like heโ€™s been here a hundred times, because he has. This is his placeโ€”where the past feels safe, where the city slows down enough for him to hear himself think. He chooses a small table by the window, the one that gets just enough streetlight to feel alive.

Nelly arrives a few minutes later, hair tucked into her jacket hood, blending into East Van like sheโ€™s always belonged here. When she spots Joe, her whole face lights up.

โ€œJoeโ€ฆ hi,โ€ she says softly, sliding into the seat across from him.

He smiles back, the warm kind of smile that remembers everything: the schoolyard, the bullies, the tiny hand that clung to him back then, the girl who sang before she knew the world would listen.

โ€œYou came,โ€ Joe says.

โ€œOf course I did,โ€ she answers. โ€œI owed you a coffee a long time ago.โ€

They order bica and pastรฉis de nata, because at Cafe Algarve, you donโ€™t pretend youโ€™re not Portugueseโ€”you embrace it. The owner brings it over personally, recognizing Nelly instantly but saying nothing, respecting the moment.

Nelly bites into a pastel, eyes closing as the custard melts.
โ€œOh manโ€ฆโ€ she murmurs. โ€œThis is the taste of my childhood.โ€

Joe chuckles. โ€œTold you. East Vanโ€™s got its own little Portugal.โ€

She looks at himโ€”really looks at him.
โ€œIt feels like home,โ€ she says. โ€œEspeciallyโ€ฆ sitting here with you.โ€

The cafรฉ hums around them, low conversations mixing with the clatter of cups. A teenager tunes a guitar in the back corner for open mic night, and suddenly he strums the melody of โ€œTryโ€โ€”not even knowing the original singer is just a few feet away.

Nelly laughs, shaking her head. โ€œOnly in East Van.โ€

But the laughter fades. Her voice softens.

โ€œJoeโ€ฆ Iโ€™ve been getting torn apart online. Harassed. Bullied. Again. Different people, different screensโ€”but the same feeling. The same fear I had when we were kids.โ€

Joeโ€™s eyes darken, protective.
โ€œNellyโ€ฆ come here.โ€

He gets up and sits beside her instead of across, taking her hand the way he did when she was a scared little girl on the playground.

โ€œIโ€™m here,โ€ he says. โ€œEast Van, Portugal, whereverโ€”weโ€™re still us. You donโ€™t face this alone.โ€

Nelly swallows hard, squeezing his hand.
โ€œYou always held my hand when I needed it most,โ€ she whispers. โ€œCan youโ€ฆ hold it now?โ€

Joe wraps his fingers around hers, steady and warm.
โ€œAs long as you want.โ€

The teenager starts singing softly in the corner. The street outside glows with rain that finally begins to fall, tapping gently against the window.

Inside Cafe Algarve, time slows.

Nelly leans her head onto Joeโ€™s shoulder.
โ€œI missed this,โ€ she says.
โ€œYou,โ€ Joe answers.

They talk until closing timeโ€”about music, childhood memories, second chances, and the quiet strength of people who survived things no one ever saw.

When they finally step outside, East Vancouver is glistening. Joe offers his jacket; Nelly accepts without a word. She slips her hand back into his as they walk down the quiet block under the streetlamps.

For the first time in a long timeโ€ฆ
she feels safe.
And for the first time in a long timeโ€ฆ
he feels needed.

Their breath mixes in the cool night air like two stories reconnecting.

Not Portugal.
Not fantasy.

Just East Van.
Just Joe and Nelly.
Just right.

Looking For a Sign: SCTV

Title: โ€œThe Sign (Portugal)โ€
Scene from the inner life of Dr. Luka Kovac / Joe Jukic

Interior โ€“ Small Toronto apartment โ€“ Night. The rain whispers against the glass.

Dr. Luka Kovac, a man shaped by war, medicine, and exile, sits in front of an old television. But this is no ordinary evening. Because Dr. Luka Kovac is not just a Croatian doctor on ER reruns. Heโ€™s Joe Jukicโ€™s avatarโ€”a vessel for memory, pain, and signs from the divine.

Tonight, Joe needs a sign.
Heโ€™s tired. Disconnected. Wondering if the thread of meaning has finally snapped.

He slips in an ancient VHS marked โ€œSCTV โ€“ Happy Wanderersโ€. The tape hisses.
The screen lights up with John Candy and Eugene Levy as the Shmenge Brothersโ€”fake Eastern Europeans playing polka for fake applause.
Itโ€™s corny. Offensive even.

But thenโ€”he sees it.

A Portugal travel poster, haphazardly pinned in the background:

โ€œVisit Portugal โ€” Land of Music, Land of Dreams.โ€

He freezes the screen.

The camera never meant to linger there. But Joeโ€”through Lukaโ€”sees it.

Itโ€™s the sign.

Not just for Portugal.
For Nelly.

Flashback:

A church basement. Fluorescent lights. Cheap lemonade and plastic chairs.
Joe is 14.
Heโ€™s got two left feet and an oversized tie.
But heโ€™s holding hands with a girl from Sunday School.
Her name: Nelly Furtado.

Theyโ€™re square dancing to a cassette recording of โ€œCotton-Eyed Joe.โ€
The priest claps in time.
Joe trips over his own shoes, but Nelly laughs and spins him anyway.
Her voice: high, clear, playful.
She smells like cherry lip gloss and hope.

It was just a Confirmation party. But for Joe, it was the last time the world felt innocent.

Back to Present:

Kovacโ€”Joeโ€”whispers:
“Boลพe mojโ€ฆ itโ€™s her.”

He reaches for his phone. Scrolls past hospital contacts and old war buddies. Finds her.

NELLY โ€“ DO NOT TEXT UNLESS ITโ€™S A SIGN

He stares at it.

Then types:

โ€œPortugal.โ€
โ€œRemember the church basement? Cotton-Eyed Joe? You said I was the worst dancer you’d ever seen. You still owe me a rematch.โ€

He hesitates. Then hits SEND.

Joe gets up, walks to the mirror, and adjusts his hair with the care of a teenager before a first dance.

Dr. Luka Kovac may have lost love on primetime.
But Joe Jukic just found the courage to reclaim itโ€”with a little help from a Portugal poster, John Candy, and the memory of a girl who danced like heaven was real.

Love Not Narcissistic Supply

Dr. Luka Kovaฤโ€™s Confession: The First Patient

Vancouver, 1989. Before medicine, before Sarajevo, before I learned how to set bones or stop bleedingโ€”I learned what it felt like to be helpless and in love, under the flickering lights of a church gym.

My mission to heal Nelly Furtado began during Confirmation prep classes at St. Josephโ€™s Gymnasium, under the firm-but-kind supervision of Sister Helen.

We were tweensโ€”not quite children, not yet teenagersโ€”learning square dancing as part of our โ€œcommunity formation.โ€ Most of us groaned at first, but something about the rhythm made sense once we moved.

Nelly and I danced with perfect synchronicity.

Our hands met without awkwardness. Our feet mirrored each other, instinctively. Do-si-do, allemande left, promenade. The music was simple, structured. There was safety in the choreography. Purity in the pattern. When we danced, the noise in the world seemed to fall away.

For those moments, she wasnโ€™t shy, and I wasnโ€™t foreign. We were just two souls moving in time.

But everything changed at Sister Helenโ€™s sock hop.

She called it a โ€œwholesome social,โ€ but you could see her bracing herself the moment she pressed play on the boom box. Chubby Checker. The Ronettes. Little Richard.

She winced when the beat kicked in.
โ€œThis,โ€ she muttered, โ€œis what I call the devilโ€™s music.โ€

And she wasnโ€™t entirely wrongโ€”for us, at least.

Because when the square dance ended and the wild rhythm of The Twist started, the room split. The choreography was gone. The innocence evaporated. Now the dancing was adult. Loose. Improvised. Charged.

And we were terrified.

The boys didnโ€™t know how to dance.
Not the Mashed Potato. Not the Jerk. Not even the Twist.
We froze, leaning on the wall like backup furniture, pretending not to care.
We were wallflowers.

And even Nelly, who had danced so freely before, seemed uncertain now. She didnโ€™t move like she had during Cotton-Eyed Joe. She stood still, glancing at me onceโ€”and I looked away, ashamed I had no steps for this new world.

That was the moment I realized something:

Healing doesnโ€™t happen in certainty.
It begins in that stammering silence.
In the place between knowing the steps and fumbling in the dark.

I started bringing my cassettes after that.
Not to fix her. Not to impress her.
To say Iโ€™m still here, even when the music changes.

I wasnโ€™t giving her narcissistic supply.
I was in love with my first patient.

Not as a savior. But as someone trying to keep dancing with herโ€”through the structure, through the chaos, even when the rhythm frightened us.

She was my first mystery.
My first lesson in presence.
And the reason I still believe some wounds are spiritual before theyโ€™re clinical.

Sometimes healing begins in a square dance.
Sometimes it stalls at a sock hop.
But loveโ€”real loveโ€”keeps showing up anyway.

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